Ghosts in the Cloud Chamber

According to classical physics, the universe could be imagined as a giant billiards table. An indeterminate number of years ago, some great force broke the ball rack with a giant pool cue. Since then, the billiard balls — the particles that make up the stars and you and me and…

Overacting Ruins A Doll House at Palm Beach Dramaworks

A Doll’s House, by Henrik Ibsen There is a thick film of half-digested plaster and pressboard coating the streets of downtown West Palm Beach this week. It is all that remains of the once-proud scenery that actress Margery Lowe, in a frenzy of dramatic overachievement, chewed and swallowed and regurgitated…

Lessons From South Africa Offers a Lesson in the Need for Editing

The rationale behind Lessons From South Africa is something like this: Lots of people in both Miami and South Africa have AIDS, but in South Africa, people are doing a lot more to address the problem. True! Producer Allan Richards, interim dean of Florida International University’s journalism school, could probably…

Munching Across the Great Divide

Two years ago, an editor complained to me that his daughter was using the word random too much. It’s not just her, I told him. Random has lately invaded the adolescent lexicon with nearly the force mustered by cool in the 1950s. In the past decade, random has proliferated almost…

The Rebirth of Cool

For years, whenever anybody said the words Caldwell Theatre, I thought of money, dancing girls, big production numbers, jukebox musicals, innocuous social commentary, musty classics, occasional glimmers of inspiration, screeching hearing aids, and old people. It hadn’t always been thus. When Caldwell opened under the leadership of Executive Artistic Director…

Vices: A Love Story at Caldwell Theatre dives into obsession

Vices begins with a sexy dance and a hard funk-rock instrumental that is leaner, meaner, weirder, and more modern than any bit of music I’ve ever heard played on Caldwell Theatre’s big stage. Watching those dancers, hearing that noise, it seems obvious that Caldwell’s new artistic director, Clive Cholerton, is…

The Rock of the Aged

Jesus, they’re still here. How? In the last dozen years, the salty boys of Aerosmith have endured a string of mishaps so consistent and awful that any more perceptive band would have long ago decided that some wrathful cosmic force was telling them to retire. Consider these grim events, in…

Dirty Shorts

After titillating audiences at the Arsht Center for a month, Summer Shorts – South Florida’s biggest and weirdest theater tradition – comes to the Broward Center in all its ribald and risque wrongness. You’ve got two programs, Signature Shorts (made up of eight short plays, from playwrights including the deceased…

Potentialities of the Human Soul

Good theater is where you find it, and through July 19 at Rising Action Theatre, you’ll find it in actor John McGlothlin’s stubbly, twitching face, which spends the heartbreaking second act of Bent staring at the ground. Resignation is at war with rage in that face. Imprisoned by the Nazis…

Floridian High Culture

Florida is not a naturally great place for an artist to do his or her work — the land is right, but the culture’s wrong — and that goes double as one moves away from the little pockets of civilization clinging to life along the coast. That is why the…

A Dark, Dark Mind

Neil LaBute became famous as a brutalizer of psyches, his characters’ and ours. His early plays, in the late 1990s, were all about the evils humans visit upon one another without provocation. They were studies in venality and cruelty, and it was hard to watch them without thinking that LaBute…

Love Your Art…

Yankee Tavern is a new play by Texan playwright Steven Dietz that proposes a universe where Occam’s razor rubs backward, and a boring, factual explanation of anything must be a lie. In Yankee Tavern, we might all be controlled by Lizard People, things not run by Lizard People are probably…