The Many Hues of the Blues
Walter Trout and the Radicals perform at 9:30 p.m. Saturday, May 26, at the Bamboo Room, 25 S. J St., Lake Worth. Tickets cost $32. Call 561-585-2583, or www.bambooroomblues.com.
Walter Trout and the Radicals perform at 9:30 p.m. Saturday, May 26, at the Bamboo Room, 25 S. J St., Lake Worth. Tickets cost $32. Call 561-585-2583, or www.bambooroomblues.com.
With the term jam band incorporating everything from blues to bluegrass these days, it’s an overused handle that barely describes all the disparate bands lumped within its parameters. Still, Assembly of Dust has found its fit there, mostly due to its freewheeling dexterity, a sense of retro revival, and a…
Weird Al performs at 8 p.m. Friday, May 25, at the Pompano Beach Amphitheatre, 1806 NE Sixth St., Pompano Beach. Tickets cost $38 to $68. Call Ticketmaster at 561-966-3309 or 954-523-3309.
Roger Waters plays at 8 p.m. Friday, May 18, at Sound Advice Amphitheatre, 601-7 Sansbury’s Way, West Palm Beach. Tickets cost $25.25 to $129.50. Call 561-795-8883, or visit www.livenation.com.
It’s not always obvious from what we’re exposed to in this dance-centric part of the state, but Florida used to be a fairly reliable bastion for rock ‘n’ roll. Just check out the list of former homeboys — the Allman Brothers, Jim Morrison, Jimmy Buffett, the Mavericks, Lynyrd Skynyrd, and…
Wilco may be the essence of eclectic indulgence. Shedding their Americana visage with 2002’s Yankee Hotel Foxtrot, they successfully redefined themselves as an experimental outfit dealing in atmospheric soundscapes and sonic contradiction. Their daring was rewarded with a pair of Grammy nods for their follow-up, A Ghost Is Born, while…
Call him the comeback kid. Truth is, Jay Boy Adams is happy he was called, period. When you’ve been away from the music biz for 25 years, you’re grateful if someone remembers your name. With a new album, The Shoe Box, perched high atop the Americana charts, this Texas troubadour…
Forget the Foo Fighters — the true champ when it comes to blending melody and mayhem is a tumultuous trio known as Dinosaur Jr. These prototypical hardcore heroes were making heads bop and torsos flail back when Dave Grohl was still taking his cues from Kurt Cobain. The group’s bassist,…
Kings of Leon are commanding quite a racket these days. Hailed by some as the saviors of Southern rock, these four — three of them the sons of a Pentecostal preacher — managed to turn their third album, Because of the Times, into an ironic little mixture of hellfire and…
Following the critical acclaim garnered by 2005’s simultaneous release of I’m Wide Awake, It’s Morning and Digital Ash in a Digital Urn, Bright Eyes seems eager to confirm its status as indie overachievers. With anticipation building for a follow-up, the band’s mainstays — boy-genius Conner Oberst joined by Mike Mogis…
In the past decade or so, rock has been swept up in an excess of imitation. Best-selling bands like the Strokes and the Black Crowes eschew originality while tapping the template created by the Stones and other ’60s stalwarts with a fondness for booze ‘n’ blooze. The Colour, an Orange…
Norah Jones is still searching for her perpetual groove. Since garnering instant acclaim at the top of the jazz and pop charts with her multiplatinum debut album, Come Away With Me, Jones’ forward momentum hasn’t been all that successful. Though undeniably sensual and seductive, her second album, Feels Like Home,…
Ravi Shankar may be India’s best-known musical export, but it’s also safe to say most people would be stumped if they were forced to identify another. Put out a poll on sitar virtuosos and chances are it would be the late Beatle George Harrison who’d top the tally. Then again,…
In 1967, the Who released an album called The Who Sell Out, a psychedelic set of songs interspersed with faux jingles and endorsements. A little more than 35 years later, they brought that theme to reality by lending their music to all three installments of the CSI television franchise. It…
Sure, Mary Karlzen sings like a coal miner’s daughter and lives in Wisconsin, but she’s originally a South Florida home girl who got her break with local outfit Y&T Music. Her third album, Dim the Watershed, released on Y&T in 2000, helped legitimize the hype regarding South Florida’s musical talent…
Laurie Jennings understands the merits of being a singer, songwriter, and entrepreneur. As former proprietor of Homestead’s now-defunct Mainstreet Café, she not only developed a solid reputation by booking nationally renowned folk acts but also frequently performed with her own house band, the Pathfinders. Although the club is now closed,…
Let’s be honest. Aren’t you sick and tired of all those weepy, candy-ass singer/songwriter types who are so annoyingly abundant lately? Do you really need some wussy crooner reminding you just how bad life sucks? Maybe you ought to check out a concert featuring the Hep Cat Boo Daddies, a…
Sharing the same West Texas roots that birthed Buddy Holly, Joe Ely helped kick-start the so-called outlaw country movement and has impacted its direction ever since. More than 30 years ago, he was part of the region’s first supergroup, the Flatlanders, and he was there with Tex Mex stars Los…
Despite putting out nine albums and having a knack for writing songs that would make Paul McCartney and Brian Wilson wince with envy, Ron Sexsmith has somehow managed to fly below the radar with the music-buying masses. Just exactly why remains an unfathomable mystery. Yet to his credit, this baby-faced…
You don’t have to be from the boondocks to savor Yonder Mountain String Band’s down-home sound. In fact, its inspired blend of folk and fusion has less to do with hillbillies and more in common with such genre-defying outfits as Nickel Creek and Bela Fleck and the Flecktones. Although it’s…
It’s a no-brainer that Billy Joel has an obvious appeal to the geriatric crowd. After all, here’s a guy who has penned his fair share of ballads, with songs such as “New York State of Mind” and “Piano Man” providing fodder for many a lounge crooner’s repertoire. But anyone who…
After four albums of exceptional, introspective folk-pop musings, it’s something of a shock to find Erin McKeown turning her attention to jazz gems of the ’30s, ’40s and ’50s. Still, she does a credible job of capturing the spirit of those songs with a wink and a nudge of irreverence…