Brutal Prison Drama Starred Up Stirs Rare Empathy

The beginning of David Mackenzie’s U.K. prison drama, Starred Up, might make you wonder if you’ll survive to the end: We see a kid with a hard­eyed, shutdown face being matriculated at a new jail — apparently, he’s outgrown his old one, and so he’s been “starred up,” or prematurely…

It’s Business as Usual for The Trip Stars, and That’s Fine

For women especially, it’s wholly out of fashion to have sympathy for middle-aged white men. In both real life and fiction, the thinking goes, they’ve reigned supreme long enough. Who cares about their anxiety over their receding hairlines, their poochy stomachs, their inability to attract young babes? That tinny plink…

The Last of Robin Hood Wrestles With a Star’s Underaged Love

If older man/younger women matchups make many people uncomfortable, the older man/much younger women combo tends to make them apoplectic. It would be impossible for Nabokov to publish Lolita today, now that all of life, and all of art, must be arranged, categorized, and restricted as a way of protecting…

If I Stay Brings Feeling Back to the Multiplex

Should grownups be spending their time reading young-adult novels, at the risk of missing the supposed riches of fiction written for actual grownups? A recent essay in Slate groused about the legions of adults who long ago graduated from the 12th grade but still devour YA fiction at the expense…

Culinary Mash-Up The Hundred-Foot Journey Is Tasty Enough

Lasse Hallström has become an expert at making mom-jeans movies, nonthreatening pictures in which headstrong women find love just when they think it’s too late (Once Around), take the upper hand with their cheating husbands (Something to Talk About), and turn small, French villages topsy-turvy by opening chocolate shops (Chocolat)…

Guardians of the Galaxy Misses the Mark on Fun

Beware the movie that’s Fun! with a capital F, the one populated with seemingly unpretentious characters that say adorable, clever things, the one that presents each off-kilter joke as if it were a porcelain curio, the one that boasts a comfort-food soundtrack of songs you’ve always liked but perhaps haven’t…

Linklater’s Glorious Boyhood Captures Life in Bloom

The business of childhood is the business of waiting: waiting for Christmas, waiting for school to let out, waiting to be old enough to stay up past 9. No other movie I can think of better captures the wistfulness of those days full of waiting than Richard Linklater’s Boyhood, an…

Zach Braff’s Wish I Was Here Isn’t a Failure — Sorry!

Wish I Was Here, the movie that actor and second-time director Zach Braff partially funded with money raised through Kickstarter, isn’t nearly terrible enough to satisfy all the grumblers who are hoping to see it fail. When Braff couldn’t secure traditional financing for the film, he appealed to the fan…

Roman Polanski’s Venus in Fur Is a Wicked Power Play

Plays adapted into movies always feel naked by the time they make it to the screen, their theatrical bones showing through in a most awkward and unbecoming way. That’s more or less true of Roman Polanski’s screen version of David Ives’ Venus in Fur, in which a playwright and first-time…

Punk-Girl Blast We Are the Best! Earns Its Title

A truly punk act, a shout of freedom, frustration, and exaltation, hits about halfway through Lukas Moodysson’s girl-punk reverie We Are the Best! The three 13-year-old protagonists, high on the idea of the three-chord band they’ve just started, find some damp garbage bags on the street that, they discover, are…

Fifty Years On, A Hard Day’s Night Is Still Revelatory

Let’s get the obvious bit over with: The early days of the Beatles, as reflected in Richard Lester’s ebullient shout of freedom A Hard Day’s Night, were all about the optimism of the early 1960s, a thrilling and energizing time when young people, and even some older ones, truly believed…

Borgman May Give You Nightmares

“Destroy your safe and happy lives before it is too late,” the Mekons once sang. The smug suburban Dutch family in writer-director Alex van Warmerdam’s bleakly comic allegory ­Borgman never got the memo, which leaves them open to a peculiar and languorously sinister home invasion. Not even the backyard is…